Starting to see ways to use textures and layers. But the sessions only really took off for me when I decided to focus on my skull: i.e. started to realize something specific using all the fluidity and surprise of the medium.
Suddenly it felt like an expressive piece drawn from the source and enriched by the medium. I don’t want to lose sight of that aspect of my print making: making big prints and then identify fragments and limited frames. (NOTE: in fact this quality only really emerged when I started to photograph what I was doing and I realized that this interplay between photographic reproduction and the actual art work could be a very interesting way to push my work away from the first endeavors).